{"@context":{"dc":"http:\/\/purl.org\/dc\/elements\/1.1\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skos:broader":{"@type":"@id"},"skos:inScheme":{"@type":"@id"},"skos:related":{"@type":"@id"},"skos:narrower":{"@type":"@id"},"skos:hasTopConcept":{"@type":"@id"},"skos:topConceptOf":{"@type":"@id"}},"@id":"https:\/\/terminologias.filo.uba.ar\/apps\/filo\/skos\/7602","@type":"skos:Concept","skos:prefLabel":{"@language":"es","@value=":"SINCOPA"},"skos:inScheme":"https:\/\/terminologias.filo.uba.ar\/apps\/filo\/","dct:created":"2013-08-06 09:55:47","skos:scopeNote":[{"@lang":"es","@value":"Estrategia compositiva destinada a romper la regularidad del ritmo, por medio de la acentuaci\u00f3n de una nota en un lugar d\u00e9bil o semifuerte de un comp\u00e1s "},{"@lang":"es","@value":"CDU 781.62 "}],"skos:broader":["https:\/\/terminologias.filo.uba.ar\/apps\/filo\/skos\/2225"]}